pedalfar:

The blurred silhouette against the sea - Fashionising.com


leahcultice:

Ragnhild Jevne for Vogue Taiwan Beauty May 2014 by Yossi Michaeli

leahcultice:

Ragnhild Jevne for Vogue Taiwan Beauty May 2014 by Yossi Michaeli



artchipel:

Justyna Neryng (Poland/UK) - Childhood Lost

Justyna Neryng is a fine art photographer from Poland, living and working in Brighton, whose photography has flourished into a substantial body of portraiture. Four years ago Justyna begun to collaborate with her daughter Nell on an on-going autobiographical project Childhood Lost, exploring the nature of portraiture and memory: “I am producing a series of portraits that evoke, characters that populate this world we know as childhood. A court of character’s from myths and dreams. The images are aesthetically inspired by portraiture from the Golden Age of Dutch painting. By drawing on paintings as inspiration I am hoping to give a timeless feel to the final images. Key to the project is the painstaking styling and prop building, which I am using to evoke these different persona played out by my daughter.”

© All images courtesy of the artist

[more Justyna Neryng | artist found at darksilenceinsuburbia]





julialillico:

He has a costume set for every day of October.
Happy Halloween everyone!



artchipel:

Kawashima Kotori 川島小鳥 - Mirai-chan 未来ちゃん

[Curator’s Monday with Mumy]



gigidigi:


argyrism asked you:


This may/may not be true for other people, but when I’m wondering about how you choose your colors, I’m wondering about how you make everything, well, harmonic. Noisemaster is a good example of this: he’s got a wide range of colors, but they all work well together, so it doesn’t end up looking garish. So, how do you go about something like that?

Thank you! I want Noisemaster’s pages to look like I’m just selecting colors at random, but it’s really pretty simple. Sure, I use a lot of complementary pairs, triadic colors, etc., but I generally don’t have too much Color Theory Terminology in my head as I’m planning these pages out. 
For reference, Pages 447, 448, 451 and 455.
I know I’m not great at technical explanations, but I hope this sheds a little light on what I’m doing!

gigidigi:

This may/may not be true for other people, but when I’m wondering about how you choose your colors, I’m wondering about how you make everything, well, harmonic. Noisemaster is a good example of this: he’s got a wide range of colors, but they all work well together, so it doesn’t end up looking garish. So, how do you go about something like that?

Thank you! I want Noisemaster’s pages to look like I’m just selecting colors at random, but it’s really pretty simple. Sure, I use a lot of complementary pairs, triadic colors, etc., but I generally don’t have too much Color Theory Terminology in my head as I’m planning these pages out.

For reference, Pages 447, 448, 451 and 455.

I know I’m not great at technical explanations, but I hope this sheds a little light on what I’m doing!